“Essentially it’s about falling in love with someone who got very unwell and then …” He drifts off. Eloquent, thoughtful and buoyed up by a music nerd-like enthusiasm throughout our conversation, Gibson seems on less solid ground when discussing personal specifics, his answers becoming fragmentary. The trio of albums also carry an overarching sense of emotional purging, another big lockdown mainstay. “For a lot of people the albums are lockdown records,” he agrees, “but I was already right down the rabbit hole with it ”. With all the recordings compressed through his phone, and the tracks then finished on his laptop, there’s a palpable feeling of close comfort that reflects our months spent communicating remotely. “I’ve seen hundreds of tattoos of Carlos’ words on people,” he smiles proudly.While Gibson started thinking about turning his cache of recordings into a musical project pre-pandemic, Actual Life part one – subtitled April 14 – Decemand released in April 2021 – chimed with a collective sense of digital saturation post-lockdown. His exuberant, life-affirming phrases such as “we gon’ make it through” now adorn the bodies of Gibson’s fervent fans (his forthcoming three shows at London’s O2 Academy Brixton sold out in under a minute).
A key character throughout is a construction worker called Carlos whom Gibson met in Atlanta. These are then cocooned in delicate piano, percolating beats and, when a specific mood can’t be found online, fresh lyrics sung in Gibson’s hushed tones.
Fred again lights out lyrics series#
Formatted like a musical diary – his first two albums are similarly time-stamped – the tactile, deeply personal Actual Life series is not made up of big-hitting guests like typical producer-turned-artist projects, but a tapestry of ambient audio recordings, taken from Gibson’s phone, featuring friends and strangers, as well as viral social media posts and snatches of poetry. album, Actual Life 3 (January 1 – September 9, 2022). Gibson is in LA as part of a sold-out US tour ahead of his third Fred again. “I don’t want to shit on something that matters to people but it’s just so not why I do it.” He balks, too, at the super-producer tag (“That’s quite gross”), while mention of his Brit is met with a polite shrug. When I suggest he got the better deal vis-a-vis interview locales the 29-year-old south Londoner replies with a misty-eyed “I long for where you are”, which is too nice a thing to say about the south-east London suburb of Brockley. in 2021, the same year as spending 15 weeks at No 1 via two Ed Sheeran co-productions.īut looks can be deceiving. A year later he won the Brit award for best producer, before launching his own dance-leaning artist project, Fred again. Having overseen hits for everyone from Stormzy to Rita Ora, Ed Sheeran to AJ Tracey, Gibson was responsible for a third of 2019’s UK No 1 singles.
Even dressed down in an embroidered oversized sweatshirt, Gibson’s Zoom screen-dominating smile suggests things are going Quite Well. is going on US Tour, set to begin in San Francisco, CA on September 23rd.Stretched out on the sun-dappled balcony of his fancy LA rental, Fred Gibson looks every inch music’s go-to super-producer. has also earned both a GRAMMY nomination and a BRIT Awards nomination, just hinting at the brilliance behind the music.įred again. The London-based artist released a pair of critically-acclaimed, accompanying projects in the past two years,- Actual Life (April 14 - December 17 2020) and its companion follow-up Actual Life 2 (February 2 - October 15, 2021)- earning spots on a number of “best of the year” lists, including Billboard, NPR, and Forbes. The pounding bass just begs the listener to nod their head along with the beat, the composition creates a perfect flow between the harmonies and melodies, and the lyrics are sure to have fans singing along. just dropped a new single entitled “ Jungle,” which follows two successful tracks, “ Lights Out” and “ Admit It (U Don’t Want 2).” Fred again.’s new song is a beat-heavy summer anthem that is sure to get people out on the dance floor.
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